The broad gobal overview of contemporary landscape installation本书以全球性的视野纵观当代景观装置艺术。它告诉art in this book provides not only makes one realise that evolutions in人们,在过去十年左右的时间里,设计媒介和施工技desonmeda and construction technoogy over the past decada orso术的飞速发展,深刻地影响着我们的设计成品;它更re profoundly nfuencng the outcome of our curent work this book向人们展示,未来对于筑师、景观师、设计师而言suggests an interestng perod ahead of us where architects, landscape将充满无穷趣味,借助数字化设计与装配工具,他们architects and desgners wil be able to unleash ther creativity onto theenIronment mcreurindered than ever, thenks todgtal desn and将能前所未有地、更无拘无束地发挥他们的创造力。fabricaton tools20世纪末,三维CAD程序包在设计行业刮起了一股At the end of the2 Oth century three-dimensonal CAD packages brought新鲜之风。设计的正式解放始于各式各样的模软件,afresh new breeze into the oesn ndustry. A tomal liberation emerg模软件提供的虚拟设计空间,没有重力约束,不受from the various modeling softwares in whch avirtual designspacedd not impose Imitations such as gravity crmateme thicknessonto材料厚度限制。这类技术仍在不断发展,并且变得界面更加人性化,应用更加广泛。除了这些虚拟设计环the creative process. These technologies have contnued to evolve境,目前在设计师群体中扩散的计算机编程更进一步and became ever more user-friendly and woespread in additon to推动了其发展:过算机几何图形脚本语言使得人们通prog amr amongs过点击鼠标便给制出精确的没计图案,突破了手工opportunties even further, Designs mpossble to draw accurately by绘制的限制。另外,实时数据的输入(如感应式的输nana cannow be generated by the cick of a mouse button thanks to入或表现数据)也具备了技术上的可行性,从而令更mhe computer-scrptng of geometries In additon, the corporation为复杂的项目也得以实现。最后,施工和装配过程也of real-time cata, such as sensorial inputs or perormance cata, s得到了快速的改进。以计算机控制的生产方法迅速善technicaly maoe possble. which alows proects to coporate anotherlayer of sophistication. Fnally the constructon and fabrcation process及,使生产企业实现了手工无法实现的高度精确。此isradically transforming as well. Computer controlled manufacturing外,通过筑组件的全定制,我们得以摆脱标准化组methods are spreading rapay and brng nto the manufacturing plant a件。至此,具有高度创新性的、前所未有的作品从我level of accuracy and pression unachievable by hand. By ntrodurng fu们电脑屏幕里的安全虚拟环境中走出来,成为我们日omsationot bulling components, they additionaly alowus toescape常生活中活生生的物体。在此方面进行调研、试验和from standardisation Hence. highly nnovative and unprecedented work探索的先锋人物包括来自苏黎世联邦理工学院的格拉snow capable to leave the safe virtual erwronments of our computer马齐奥和科勒,本书收录的“派克循环和”“序列结构screens and matenalse at ful scale into our daly lives Research便是他们开拓性的作品。他们对全球设计领域所作出expermentation and exploration ot these evolutions are spearheadedamongst others by people lke Gramezo& Koher from the ETH in Zurich的贡献,使得具有复杂性的设计慢慢变成了设计师日whose ground-breakng work is preserted here with the "Pke Loop常语汇的一部分,这在以前是不可思议的and the Sequentia Sructure. Ther contributions to the global desadiscourse make a level of complexity that was previously practically技术的普及,以及创意产业在使用现代化工具处理复nconceMable sowly become pert of an everyday desgn vocabulary杂的设计安装时的简便性,使设计师关注的焦点慢慢乙E 厅言发生了转移。一些具有高度图形特性的项日,如EBThs democratsationof technalogy and the apparent ease wth which工作室的“椅子筑”项目,以更大众化的物体一contemporary tools allow the creatve ndustres to deal with ntncate典型的椅子组合成复杂的几何形式,这明显是受到了Sesgnset-ups, s now slowly leading to a shit n focus Hghly graphica近年的设计趋势的影响,开始脱离纯粹的数字化环境proects. ike the "Seat by E/B Office which are clearly influenced by书中其他应用了高科技的项目则走得更远,将终端用recent trends, start to associate themselves frcm the pure 'cgtarenvronment Here this is happening through the combnation of户放在了最显著的位置,非常具有前瞻性。促成装置compex geometries wthmore mundane meda- the cbet -trouve or作品与参现者之间无缝接合甚至彼此相融的,仍是技anarchetypical chair The raison detre of mary of the other presented术。他玛·弗兰克的作品“董火虫”依赖高度复杂的、projects whch incorporate high-tech s shing even further away from实时响应的环境,但她将传感器和数据处理系统都隐tecnical exploration and a more proactive engagement with the end藏起来,形成一片绿色有机景观,令人仿佛置身童话user is brought to the foreground Agan it is tecnology whkh alows般得幻境。the relationships and dialogues between installations and spectatorsto gradually become seamless, almost organc Projects ke LampyrisNoctiluca by Tamar Frank heavly rely on anighy complex real书中大部分项目都有一个共同点:对现象、效果和情time responsive environment, but make this network of sensors and感的关注。不管作品与环境的再动是孕护的如替disappear nthe grpatorof an organc andscape中之路”“树屋”)、的矩已电形材wdernsbbbpece betchb-reedery in a magical fairy-tale还是明确的(如“倒置”),都追求对参观者的深刻enironment影响It precisely there rat most projects featurea n ths book find a common随着技术的飞速发展,我对创意设计的明天充满期待。9 ounc in ts interest tor the phenomenological, the effect and the affect.Whether the confrontations witn the enironment are subte ard dlcate每天都有更多的机会涌现,而设计师需要做的就是,as in etso Kondo Architects 'A Pathin the Forest" or the" ree Hotel探索如何将之更合理、更具创意、更有趣地加以应用。by Tham Videgard Arkitekter playful, such as 'Cloud by Caitindrc所以,请擦亮你的双眼,一个新的纪元正在开始!Brown and Wayne Garrett or our "Goiden Moon: or more explicit andaggressive, suchas Dan Havel and Dean Ruck's inverson all ambitionto profoundly impact the spectatorKeeong in mnd that technolog cal evolutions tend to grow exponenbaly t克置斯托夫·卡罗在can only arouly and enthusiastically kok torward to what the next yearsof creative desgnwil brng us With more possblites opening up everLEAD创始合伙人day, it wll be up to us. deskners, to explore where these can be appedmost appropniate, creatively and nterestngly So keep your eyes operawave is comingKRISTOF CROLLA ir.Arch. AA-MArchFanangPartner a for EpbratMo Achitecture& DosnLtdl-LEAD E-FTETELEThe desgnof urban open spaces recent years clearly showng the近几年城市开放空间的设计清晰地显示了两种不同的空间prevalence of two different sosa conoeotua dmensions: on one hand概念维度的普遍性。一方面,战略性的构想侧重在广大的stratege vsion focus on the city as awhole on large geographical scale地域范围内作为一个整体的城市,通常是大都市,有时甚tten in metropolitan contexts, sometmes pushing the Imits of a new至突破了新乌托邦的界限;另一方面,单一的行为则为城toper on the oter, singe actonsrevitaize urban mcrocpeces, sometmespermanent, sometmes temporary hotter words on the one hard an市内小范围的空间带来了活力,或长久,或短暂。换言之,immense and tactical size and on the other a tiny and concrete one. the一方面规模宏大,处于战路性的高度,另一方面细微而实ettects of whch are often nversely proportonal用,其影响往往成反比。This book. Landscape installaton Art. explore the tatter wel establisned way《景观装置艺术》这本书探索的是后者这一重新定义城市景toredetne theurban scene and to inhabit pubic space of the c, ortega观和栖息于城市公共空间的行之有效的方式,对世界上不同wde and oniginal survey of expenences in different countres of the world it's国家在此方面的经验展开了广泛而具原创性的调查。各类经a vanety of experences, which together alow us tohghight the persistencesome common themes from those suggested by the ttle of the book th验集结在此书中,一起强调了一些共同主题的持续性,这些synthess of just three words contains a great chance of meanng openess主题从书名中的三个含义广泛的词语中便隐隐透露出来Lets start from Instalation It refers to aof maginn the cty and itpub我们从“装置”这个词开始说起吧。“装置”指的是一种spaces necessanly factor d,时的的方上of makng of beng realized n practice in order to have and produce sense然与制造、实现以便产生感觉有关。因此,这些经验的可So that the value of these expenences often is not only in the completed work贵之处,往往不仅在于成品,而且在于(甚至特别在于)but even or especaly in the process of constructon and organzation安装与组织的过程。The first word of the tite is "Landscape, an inclusive word withmultplemeanings: Leafa throuch the volume, dearly ditterent acceptations emerge,书名中的第一个词是“景观”,这是一个具有多重含义的allnecessanly related to oesign. First, baroscope is agazenypothess to oesgr词。翻阅本书,裁然不同的各种含义便纷纷呈现,而这些s to show, make a place eloquent and meaningful, often make visite the含义不可避免地都与设计相关。首先,景观的存在始于这invisible thngs of the world reaize eophanes Landscape s transformation.样一种假设,即设计是为了展现,为了使一个地方变得迷anever-changing ream highighted by the same transtonness of ephemeral人、富有意义,将世上原本不可见的东西展现在人们眼前rstallatons, sometmes nemesis of paoe and speed of granary major urbantranscrmatons. The landscape instabilty over time s often nvestigated让人顿悟。其次,景观是改造,是一个不断变化的领域by exploring the nightie scene conceMed as a dimenson independent临时性装置的短暂性突出强调了这一点。景观有时也是对from the day one Landscape is a place of latent but incessant relationships人们城市大改造速度过快的惩罚。景观的不稳定性通常是between natural and artficial elements, sometmes n the formof metaphor通过探索夜晚景象来进行研究的,这是独立于白天景象的sometimes in the concreteness of micro-ecosystems that colonize aseptic另一种维度。再次,景观是自然与人造元素之间隐藏的但spaoesof everyday life, where vegetation and animas establish unexpected连续不断的关系的所在,有时以暗喻呈现,有时却又具备equnlbnumwith people and ther aocessones Landscape is a place of iving微生态系统的真实。微生态系统统治了日常生活中的无菌outdoors Most installations are spaces of new wekomng that seem to beurben refuges, shelters. nches nests, sheis roofs, to say that the city is not a地带,植物和动物在此不期然地与人类及其附属物和平相oeptabe place ana so to be able to le in we need to create physical处。最后,景观还是室外生活空间。大部分装置都是一个乙ENE 后言舒适的空间,它可以是城市避难所、收容所、壁龛、巢穴and emotional protectons, cockpits of new sharea homeukeness, objects壳体或者屋顶。鉴于城市并不是一个非常舒适的空间,of affectin to give identity and security, mportant the most for ther meaning了居住,我们必须造物质上和情感上的保护屏障,营造than for theirtuncton舒适的家一般的环境,并且提供身份象征和安全性能,其The thra word is"At protagonist nhis role as medator between design意义的重要性已经远远超过了功能and public space. The boundary between art and architecture appearsmore and more week and indistinct This boundary is where some of the第三个词是“艺术”,艺术在设计与公共空间之间起到最most dang exploration of relationships between people and space take主要的调节作用。艺术与筑之间的界限越来越模糊,而 Dace. Artrequres risk, not moderator, using extreme formulas and working对于人与空间之间关系的最大胆的探索正是游移在这模糊nimcelance So many of the works colected in the voume dialogue with的界限中。艺术需要的是冒险,而不是中庸,艺术可以使 e pace by assonance ebout matene. shapes techndogy dmensions用极端的规则,可以不平衡,因此本书中的作品很多都与they work on proportion(or aisprcporton) between art work ar场地存在不和谐之处,或是材料,或是形状,或是技术,and, theretore, cn issue of swe scale as well as meaning scale, often givingnew status and use to estabished structures a bus stop can produce new或是尺寸。作品与场地成一定比例(或者比例失调),因mearingandnew activites They suggest rethinking the traditional aesthetic此,它们在尺度层面,也在意义层面上量予装置以新的身 categories prompting questions about the role of art ana its sped in producing份和用途,譬如,公共汽车站能被赋予新的意义,引入新提出质疑。它们偶尔也很不可靠地借助美学恃论,在本应presented ses inordinary places in everyday landscape of aesthetic and量低调的环境中激起敏感的反应。本书中的大部分装置functional passive consumption O, on the contrary. they are a kind of ironicand benevolent desecration of mystical places. In both cases, art intervenes位于平凡无奇的场地,处于日常的景观中,不管审美还是to rescue us from adicted perceptions and so manfest the changes of the功能都处于被动的地位;或者相反,它们位于神奇的场所,semantic and aesthetic status of publc space形成反讽、茜意的亵渎。不管在哪种情况下,艺术的介入都是为了让人打破固有的认知,体现公共空间在语义上和 These installations are and of prototype of how it s possble torethink public美学上的身份变化space inou otes: unburdened from size, reo lation and functon constantsthan the normal practice of urban design they are the form of archtecture这些装置在反思城市公共空间方面起到了模范作用,它们that mcre freely can express inovative tensions and purposes They are不再受尺寸、规则和功能的限制,却以筑的形式自由地opportunties to expore the limts of using unusua materals and technologesto verify the viablity of mages, real or suggested nalegory often provoking表达别具创意的目的。它们使用不同寻常的材料和技术并me audience response. Through their hynd and plural functions. the探索其极限,将实际中或寓言中的画面变成现实,并常常 ence of constructive principles often based on the assembly ot patten引起参观者的某种反应。通过它们的多重功能、基于图形 elements the stress of synesthetic perceptions, they provide ar irreplaceable元素集合的构筑法则之根据、联觉的压力,这些装置无可contrbution for powering and renewing connectors between art取代地推动并更新了艺术、城市与景观之间的联系。architecture, city and landscape多娜丽步·略Annalisa MettoOSA筑与景观公司OSA architettura paesaggi
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