Zaha HadidThe Complete Buildings and ProjectsEssay by Aaron BetskyFor over twenty years,the lraqi-born.English-educatedarchitect Zaha Hadid has symbolized the vanguard ofcontemporary architecture She has forged a highlyindvidualist architectonic language that is at oncethnllingly dynamic and intensely thoughtful.Althoughonly a handful of her projects have been built-all togreat acclaim-each new project stuns the world ofdesign with rts commitment to revolutionary forms andideas As a result she now has an enormous followingof students and practtoners,visionaries and buildersEver since her graduation from London's ArchitecturalAssociation,Hadid has pushed the boundaries ofbuilt form,first with Rem Koolhaas in the Office ofMetropolitan Architecture,and since 1979 in her ownstudio.She has taken part in countless internationalcompetitions,and won several,the most controversialbeing the Cardiff Opera House Her built work includesthe widely published Vitra Fire Station outside Basel,the IBA Bulding in Berlin and a number of smallerconstructions that have appeared from Osaka to黑素材J.NE面a concert hall in Luxembourg and a contemporaryarts centre in CincinnatiMost people recognize Hadid's hand through thestnking drawings and paintings that represent her work,but the beauty of her illustrations has obscured the factthat she is an architect who builds In addition to hercin.comelectrifying images,this publication includes hundredsof sketches,plans and models that offer a completeoverview of both her programmatic and aestheticconcerns Texts written by the architect and her officereveal specific concerns and solutions to each projectOn the eve of the millennium,it is fitting that thework of one the world's most radical architects shouldbe presented nits entrety.Perfectly captured inthis remarkable book,Zaha Hadid's vision will dazzle.entertain and astoundcfont Artand Moa Certe Dueoortbci docour fom too BA Honng ern ipelo Chhtan Echternrdanm 70.Betire Somelau Voduct Vannaf1695筑素前网Z.ZC.ET CONTENTS68 ART AND MEDLA CENTRE DuSedor 1989-9372 MUSIC VIDEO PAVILON Groningen.The Netherlands 1990introduction74 HOTEL AND RESIDENTIAL COMPLEX Ahu Dhab 19906BEYOND 89 DEGREES Aaron Betsky75 INTERZUM 91 Glutendort,Germany 1990The Complete Buldings and Proyects76tOND0N2066199116 MALEVICH'S TEKTONIK London.1976-7778 THE HAGUE VILLAS The Hague.199117 MUSEUM OF THE NIEENTH CENTURY London,1977-7880 THE GREAT UTOPIA New York,199217 DUTCH PARLAMENT EXTENSION The HaQue,1978-7984 VISION FOR MADRID 199218 IRISH PRIME MINISTER'S RESIDENCE Dubin,1979-8086 BILLE STRAUSS ART HOTEL Nabern.Germany.199219 59 EATON PLACE London 1981-82B7 CONCERT HALL Copenhagon 1992-9319 PARC DE LA VILLETTE Paris 1982-83B8 RHEINAUHAFEN REDEVELOPMENT Cologne 199220 THE PEAK Hong Kong.1982-8393 CARNUNTUM Vienna.199324 THE WORLD (89 DEGREES)198396 SPITTELAU VIADUCTS Vinna 199425 GRAND BUILDINGS London 1985102 SPITTALMARKT Berlin 199528 HALKIN PLACE London 1985104 LYCEE FRANCAIS CHARLES DE GAULLE London,199528 MELBURY COURT London 1985105 PANCRAS LANE London 159629 TENTS AND CURTAINS MLn,1985106 42ND STREET HOTEL New York,199529 KYOTO INSTALLATIONS KYoto 1985110 BLUEPRINT PAVILON Bmngham England.19950ao(S PRADS MAUSUM IXTANSION32 HAMBURG DOCKLANDS Hamburg 1986118 CARDIFF BAY OPERA HOUSE Cardff.Wal,1994-9633 NEW YORK.MANHATTAN:A NEW CALLGRAPHY OF PLAN 1986124 BOILERHOUSE EXTENSION,VICTORIA AND ALBERT MUSEUM London 199634 KURFORSTENDAMM 70 Bern 1986130 WISH MACHINE:WORLD INVENTION Vienna.199638 IBA HOUSING Berin 1986-93133 PAPER ART DUren.Germany,199642 AZABU-JTUBAN Tokyo 1986133 MASTER'S SECTION Vence Bennale Vence 199643 TOMIGAYA Tobyo 1986135 HABITABLE BRIDGE London.199644 WEST HOUYWOOD CIVIc CENTRE Los Angeles 1987140 LA FENICE Vence 199645 AL WAHDA SPORTS CENTRE Abu Dhabl,1988143 PHILHARMONIC HALL Lurembourg.199746 METROPOUS London 1988151 LANDESGARTENSCHAU 1999 Wel am Rhein Gemany,1997-47 BERLN20001988156 MUSEUM OF ISLAMIC ARTS Doha,Qatar,199749 VICTORIA CITY AREAL Berin 1988163 HACKNEY EMPIRE London 199750 A NEW BARCELONA 1989164 CAMPUS CENTRE nsttute of Technoogy,Chicago 199851 TOKYO FORUM TOkYo,1989168 CONTEMPORARY ARTS CENTRE Cinonnat 1998-52 HAFENSTRASSE DEVELOPMENT Hamburg 1989170 FURNITURE AND OBJECTS56 MOONSOON Sapporo.Japun.1989-90172 Project information60ouY304a.1989-90174 Exhibitions61 LEICESTER SQUARE London.1990175 Publications62 VITRA FIRE STATION Wel am Rhen,Germany 1990-94176ta莲甄素前网Z..ET introductionBEYOND 89 DEGREESAaron BetskyThe fim.on the one hand extenas our comprehenson of the necessbes which rule our iwes.on the other hand.itmanages tosreofanmmerse and unexpected feld of action Our taverndou metropotan streets.ouroffices and furnished roomsou rarod staons and our factores appeared to have us locked up hopelessy Thencame the fmand burst thsponorld under by the dynamiteof the tenth ofsecondo that now in themstofitsar-fungruns and debrs.wecalmly and adventurouy go travellng With the dose-up spce expwith owmoomovement extnded The enlargement of asaphot do nat smpy render more preosewhat in any casew vible.though undertenrely newstructura formatons of the subect So too.owmonnot on presents famarofmvement but reven them entirely unknown ones which farfromngkeretarded rapidmovementve the effect ofnngongsupet motonsEvdenty dfferent nafureto the camera thnopeto the naked eyeonybecusean uncomou penetrated spaceituted forccomouy explored by menThe Explosion of a Tenth of a SecondZaha Hadd sa great cnematographer She sees lke a camera She percevesOne might say that Zaha Hadid is a modernst.designing lofts tied to techthe atyin slow motion,in pans,swoops and cose-ups,in jump-cuts and nar.nologcal cores as a celebration of the new Hadid has no truck with typolorative rhyt形As she drawstholdafp中rS好a园l点可咏cWgies.applied orders.implied assumponsor gravity she believes that wesoous spaces She finds wFomuderncould and should bdbetter worldone marked by freedom.above allworld and storyboards them into utopias She bo'dly explores,she slowselse We would be liberated from the past,from the constraints of soclcondown and accelerates the thythms of everyday life.and she subects her envention,from physical laws,and free of our bodies Architecture.for mod.ronment to theugcal expostion of archtecture as a form of representationemists such as Hadid,s the always fragmentary constructon of such a worldShe buids the explowon of a tenth of a secondThis does not mean that she s not an architect Zaha Hadid aims to buldThe Three Modes of Modernismand her mages areof the proess that moves towards corsructon SheTraditonally.there are three aspects to such moderism First its adherentsdoes not howeve propase imering an autonomous obectntablank sitebeleven new structures By hamesng technology a good modernst postsInstead.her buldngs are intensficatons that lead to extensions She com-we can use our resources (incuding ourselves)more efficiently to create thepresses all the energes that cause the bulding to appear,from its programmemaxmum amount of surplus whether of space or of value Th too muchsto its technological infrastructure Her buldings are free to reach out fromthat which s the heroic reality of the always new,the future.the utopanthis density to create spaces that are free of encumbrances Where there wasthat which has no shape and comes about by reducing form to its minimumonce (the potential for)prvate actty,walls and pipes,there are now shardsSecond,the modernist believes in new ways of seeng Perhaps the worldand planes that e through the landscape to open up a space we did notalready new,but we just don't recognuze it as such We see only what weknow could eosthave been trained to percenve If only we can look in fresh ways.we canHadid has constructed her career in architecture in a simar manner Shechange the word by just that act We need to open our eyes our ears andhas folded the memones of a youth spent on woven carpets into a training atour minds to the realties of our exstence Thenwe llalready be free Thrd.London Architectural Assocation She has used the forms of early twent-the modemst wishes to represent the reality of modernity Fusing theseth-century artists as the building blocks out of which she has erected hertwo aspects.she or he transforms our new perceptions into representaompalaces of attracted memones She has drawn the energes of the crty andfor the forms we havecreated Such shapes are the prototypes forethe heavy contours of the landscape around her like a doak.and then usedwhich things have become rearranged and dssoved to the point that authat force as the starting point for exploratons into an unknown temntorytowards which her angular forms pointthe new disappears By representing new thngsnnewy we can buldnew world and inhabit itif only with our eyesIt isthes third aspect that characterzes Zaha Hadid sne does not蜀素前网J.JZ沁.ET
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